Friday, 14 December 2012

Art in Fashion


Art in Fashion
Fashion design itself is a form of art of applying design, beauty and innovative idea to clothes ,accessories and so on. Inspiration can be drawn from everywhere and like artists fashion designers looks at nature and at previous art of works.

Campin 1430 The Thief to the left of Christ 
Available at : http://www.wicked-halo.com/
2011/06/art-in-fashion.html Accessed on 14/12/12




Alexander McQueen was inspired from
 ‘The Thief to the left of Christ ‘ of Robert Campin’s work.


By reprinting the main figure of the painting and adding other aspects to go with his collection titled ‘It’s a Jungle Out There’ Alexander McQueen developed a jacket. 
McQueen jacket n.d. [image online] Available at : < http://www.wicked-halo.com/2011/06/art-in-fashion.html>
Accessed on 14/12/12
     



























      Also  Hieronymus Bosch’s work was also inspiring to McQueen as he used two of his paintings and combined them together and developed an innovative print for a bag and a dress. McQueen is looking at past paintings and transforming them into his work and adding his ideas, other designers also followed this lead.

Bosch 1495- 1515 The Temptation of St Anthony  
[oil on canvas]
Available at : http://en.wikipedia.org
/wiki/Temptation_of_Saint_Anthony_in_visual_arts
Accessed on 14/12/12
Bosch  1504 The Gardens of Earthly Delights Hell 
[oil on canvas] Available at : http://www.dinocrat.com
/archives/2006/05/21/saudi-textbooks-at-use
-in-america-and-around-the-world/
Accessed on 14/12/12
                                         






















McQueen dress n.d [image online] Available at: <
http://www.wicked-halo.com/2011/06/art-in-fashion.html>
Accessed on 14/12/12







McQueen Bag n.d [image online] Available at: <
http://www.wicked-halo.com/2011/06/art-in-fashion.html>
Accessed on 14/12/12




    Other major coperations such as Dior where also getting 

inspired from past works. Dior however looked at a different 

side of art; while McQueen was looking at the classical side

 of art Dior looked at Japanese prints.        

Hokusai 1848 The Great Wave of Kanagawa [print] Available at :
http://www.wicked-halo.com/2011/06/art-in-fashion.html
  

Dior transformed a well known print into part of their designs. 











Dress Dior n.d. [image online] Available at : < http://www.wicked-halo.com/2011/06/art-in-fashion.html>
Accessed on 14/12/12

 By transforming print or paintings into their designs; fashion designers were not only being innovative and bringing back importance to past works but were combining two different mediums of art into one.



Reference Links :
Wicked Halo 2008 -2012  Art in Fashion [online] Available at: http://www.wicked-halo.com/2011/06/art-in-fashion.html  Accessed on 14/12/12 


   


Tuesday, 11 December 2012

The Kiss


The Kiss 


Rodin 1889  The Kiss [marble] Available at
 :http://en.wikipedia.org/wiki/File:The_Kiss.JPG
Accessed on 4/12/12
The origins of the kiss date back to 1889 in the form of a marble sculpture by the French sculptor Auguste Rodin. The sculpture represents two lovers embracing and are about to kiss yet are disrupted. It is said that the inspiration of Rodin’s work came from Dante’s Inferno as it was originally titled ‘Francesca da Rimini’ before critics suggested the title as ‘The Kiss’.



 Rodin’s sculpture shows passion and intimacy between the lovers while on the contrary of Brancusi’s version of the kiss which was developed in 1907 breaks the pattern by using primitive and simpler art.In Rodin’s work one can see that there are two figures representing the lovers but in Brancusi’s work the way he carved the stone manipulating the lovers as one and defying one from the other by a line that separates their faces. The transformation from one sculpture to another apart from the medium used the way Brancusi’s work is simpler, two blocks of stones then the designs carved, the way the embrace is stiff yet showing unity and his use of primitive art. In Rodin’s work detail is at its best and the flowing graceful look that the sculpture brings out with intense intimacy. Both sculptures show unity though both in a different approach.
Brancusi later on created another ‘Kiss’ in 1916 similar to the one before yet increased its length and decreased its width.  Going with the concept used with the first sculpture by uniting the forms into one.

Brancusi 1907  The Kiss [plaster] Photo  creidts - photographer
 David Heald Available at: http://www.nashersculpturecenter
.org/object.aspx?ObjectID=7
Accessed on 4/12/12
Brancusi 1916 The Kiss [limestone]
Available at : http://www.philamuseum.org
/collections/permanent/51306.html
Accessed on 4/12/12















Around the same time 1907 the idea of ‘The Kiss’ was then transformed from sculpture to a painting by Gustav Klimpt who later became known for his interpretation of ‘The Kiss’. Like the previous interpretations before the artist is showing his idea of unity, of passion between two lovers. What I love about this painting is the way he was able to transform the idea from the sculptures to a painting with vibrant intense colour mirroring the passion shared between them and yet still creating depth to the painting. Also the repetition of the designs on the gold shows rhythm. The difference seen from Brancusi’s work to Klimpt is apart from the medium is that Brancusi worked simpler more primitive while Klimpt brought the idea of ‘The Kiss’ back to life. Through their works the audience can get a glimpse of what the artist thought of love and unity.

Klimpt 1907-1908 The Kiss [oil on canvas] Available at
: http://en.wikipedia.org/wiki/File:Gustav_Klimt_016.jpg Accessed on 4/12/12

Going back to using stone as a meduim in Barcelona's Poblenou Cemetery where a different kind of kiss is portrayed ' The Kiss of Death'.The sculpture is said to have been created by Jaume Barba though some say that the idea was Joan;s Fontbernat and beneath the sculpture the textile manufacturer Josep Llaudet Solder was buried. The Kiss of Death dates back to 1930. The young man on his knees looks lie he was falling when the winged skeleton flew in and held him before he fell to his death and placed a kiss onto his head. 
Many question the posture of the figures and why the artist placed them that way,  in my opinion in order to justify the positioning of the sculpture one has to consider the following aspects; the skeleton is a former lover of the young man and she has came to help him in his time of need showing that true love withstands anything - even death and this theory could be a possibility of what the artist thinks of love. Alternatively the skeleton kissing the human form could imply that the kiss itself was the cause of the human's death this bring doubts regarding the human's expression if its repulsed by the skeleton's touch or eagerly awaiting.  
Barba 1930 Kiss of Death  [marble] Available at : http://kris-reisz.livejournal.com/126609.html Accessed on 5/12/12
" His words to the world, his message from beyond this mortal coil can still be read : 

His young heart is thus extinguised. The blood in his veins grow cold. And all strength has gone. Faith has been extolled by his fall into the arms of death. Amen " 


The Kiss then turned its way into photography around 1945 when WW2 was ended. The photographer was Alfred Eistenstaedt who captured a sailor grabbing a nurse and plating a kiss due to the happiness that the war was over. The passion and intensity is clearly seen in the sailor's grip on the nurse, it has been debated numerous of if the photo taken was purely spontaneously or if the setting was pre planned.This photo was re printed numerous of times ans still is popular nowadays.
Eisenstaedt 1945 V-J The Kiss [photography]
Available at :http://en.wikipedia.org/wiki/File:Legendary_kiss
_V%E2%80%93J_day_in_Times_Square_Alfred_Eisenstaedt.jpg
Accessed on : 5/12/12


Lichtenstein 1962 Kiss II Available at : http://roylichtenstein.tumblr.com/
Accessed on 5/12/12























As more art periods came to pass 'The Kiss  still lived on as it is seen again in Pop Art 1962. Roy Lichentenstein displays two lovers draped around each other embracing one another with a kiss. Behind the two figures Lichtenstein created zizgag lines emphasizing their unity  and creating a dramatic effect.

Picasso 1969 The Kiss [Oil con canvas] Available at :
http://www.pablo-ruiz-picasso.net/work-251.php
Accessed on 5/12/12















In the next example of ' the Kiss' took a vast transformation from the previous versions. The Kiss was painted in 1969 by the modern artist Pablo Picasso. The transformation seen in Picasso's work is his use of unrealistic figures, colours and exaggerated line, but the concept is still there. The noses of the figures that are mashed together make it seem as if they share the same mouth showing unity again. 

Referencing Link : 
Unkown 2012  The Kiss  Available at : http://totallyhistory.com/the-kiss/  Accessed on 5/12/12 

Unkown Posted on 7 June 2011 Roy Lichtenstein Available at : http://roylichtenstein.tumblr.com/ Accessed on 5/12/12

Sunday, 11 November 2012

The Flapper Look

The Flapper Look 


The flapper look was recognized by the masculine look from where the inspiration came from. This new look’s creator was Coco Chanel with her use of male motifs. It brought life to women’s style with vibrant colours, textures and the use of accessories such as hats, jewelry and scarves.

The flapper look was also accompanied by short bobbed hair, sparkling jewelry and worn by ordinary women that worked and later went out to the local jazz pub to dance. Also smoking became a much more known vice to women during this time
. 
                                                                                                   
[bold lipstick worn] n.d [image online] available
at: < http://internobellezza.blogspot.com/2011/03/
flapper-fashion-how-it-all-began.html>
[Accessed  on 7Nov 2012] 
[smoking in typical flapper fashion] n.d.
[image online] Available at: http://internobellezza
.blogspot.com/2011/03/flapper-fashion-how-it-all-began.html> [Accessed on7Nov 2012]




 And by getting rid of the stiff and numerous layers from the previous style ; the Victorian era the hemline rose to the knee or above giving women more freedom to move. Another flapper designer Irene Castle popularized short hair after seeing Parisians with it.

[Illustration showing what a typical Victorian
  garment looked like with corsets and restrictions] n.d.
[image online] available at:< [http://internobellezza.blogspot
.com/2011/03/flapper-fashion-how-it-all-began.html] >
[Accessed on 7Nov 2012]





















[unknown] n.d. [image online] Available at: < http://fashionheroines.blogspot.com/2011/10/inspiration-coco-chanel-fancy-rebellion.html > [Accessed on 7thNov 2012]


When looking at the above photograph and comparing it with the Victorian one before one can see the difference clothing made to a woman's life. In the first one they held a posture required due to the heavy clothing and elegance is shown with the fans and the pleated layers. While the second shows the fun that they're having and due to the shortage of the hemline they were able to dance and the design of the dress itself brought back importance to women's figure. 


Referencing Links : 

I. Bellezza, Posted on 29.3.11 Flapper Fashion How it all began  [Online] Available at : http://internobellezza.blogspot.com/2011/03/flapper-fashion-how-it-all-began.html
Accessed on 7Nov 2012 

Unknown, Posted on the 31.10.11  INSPIRATION COCO CHANEL - THE FANCY REBELLION  [Online] Available at : http://fashionheroines.blogspot.com/2011/10/inspiration-coco-chanel-fancy-rebellion.html   Accessed on 7Nov 2012 












Thursday, 18 October 2012

Coco Chanel in the 1920's


Coco Chanel - Transformation in fashion of the 20's

Coco Chanel is a world known fashion designer icon and she came at the right time in the twenties when change was needed. 

Coco Chanel 

‘The Roaring Twenties were about out with the old and in with the new, women's role was changing in society and so were her clothing.Chanel made it possible for every woman who craved release from the clothes society had placed upon them.


From the Victorian era ; clothes still roamed woman’s wardrobes from tight fitting breathless corsets to feathery hats, frilly lace and shoulder pads. Chanel removed these excessive materials and redesigned woman’s style to a simple modern look with beautiful jewelry. Her idea of using accessories more so brought beauty to her simple modern look. 



Woman's clothing in 1920's
Copyright 2008, Lady Waisted Corset Blog






The transformation from the Victorian era of splitting a woman’s body into several parts for clothing to Chanel’s simple symmetry between the chest, waist and butt was an important landmark in the fashion industry. " In Chanel's famous words she "let go of the waistline" and came up with a style that has been in style for nearly a century." – (quote)



 Women’s clothing came back up to standard’s with that of men as fabric usually reserved for men’s work clothing were now being used for Chanel’s new look. Chanel’s new look took on the name as the ‘flapper look. Chanel also designed the first ‘little black dress






Designs from 1928 Catalogue
Copyright Jesse Boland+ © 2007-2011 All Rights Reserved


An intresting video I found of Chanel's fashion shows :





















Reference Links : 
 J.Boland 2007-2011 The Revolution of Coco Chanel Designs [Online] 
 Available at : 
http://www.1920s-fashion-and-music.com/coco-chanel-designs.html#ixzz29e16AjLk [Accessed on 16.10.12]


J.Boland 2007-2011 Coco Chanel & The Changing Face of Style  [Online] 
 Available at : 
http://www.1920s-fashion-and-music.com/Coco-Chanel.html [Accessed on 16.10.12] 

Video : 

http://www.youtube.com/watch?v=4LC5VbEJm6I